Nio 29142b

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Parc floral de Paris, pavillon 18

participation exposition a Lecce / Italie 2v6s43

Palmieri Foundation Lecce

IMMEDIATE RELEASE

FONDAZIONE PALMIERI, Lecce, Italy 

From 25 February  to 08 March 2023 

 

Primo Piano LivinGallery is pleased to present the contemporary art exhibition Venus Effect: Otherness of the Reflected Gaze conceived and curated by art critic and director Dores Sacquegna. The event under auspices by the Municipality and set up at the Palmieri Foundation in Lecce, will be inaugurated on Saturday 25 February at 7.00 pm in the presence of the mayor Carlo Salvemini, of the artists and the audience. During the opening day, is scheduled the Live performance AcustiKelettronix by the multi-instrumentalist musician and Italian composer Alberto "Nick" Bolettieri.

The theoretical debate on the representation of a subject or an artist's reasons for making a portrait is a phenomenon present both in art and in psychoanalysis and is linked to the profound nature of the individual, to his/her psyche, to the methods of perception of other than itself, to the relationship that is established between the subject/work and the painter/observer.                            In psychology this phenomenon is called the “Venus Effect”. We find an example in some famous paintings of the past such as that of Venus and Cupid by Velazquez, where the face of Venus reflected in the mirror turns its gaze to the painter or the viewer. This illusionistic method also used in photography and cinema is based on the idea that if the observer can see the portrait of the subject portrayed in the mirror, it means that the camera is not behind the actor. From this reflection comes the investigation of the exhibition entitled "Venus Effect: Otherness of the reflected gaze", which is not an exhibition of mirrors, but could be the story of the deception of the reflection, the symbiotic relationship that exists between the physical, visible, and real presence of the and the imaginary, invisible, illusionistic presence of the object placed in front of. The work-body closes its circuit the moment it finds a gaze that questions it. The event is completed with the video art review titled "With Your Eyes" which is divided into short films, animations and interactive experiments that elevate the from a simple spectator to a protagonist and an integral part of the story/work. On display the art catalogue with critical texts by Dores Sacquegna.

On display visual artists, video artists and musicians from the national and international scene, of different generations and backgrounds. The event is designed to create a constructive and multidisciplinary dialogue between the ancient Renaissance space of the Palmieri Foundation and the present of the contemporary art works exhibited according to a theme that plays on the otherness of the reflected gaze. With a selection of six animations and interactive experiments (four with music by Stuart Smith, and two by musicians Robert Ehle, Toby Rush), on display the American artist Anna Ursyn, whose works have been exhibited in important museums such as the Louvre, the Center Pompidou in Paris, the Tate in London, the MOMA Museum in New York City. Between idealized beauty and social messages emerge the female portraits by German Urban Artist Patrizia Casagranda, whose works, made on recycled materials, are collected and exhibited internationally. Between physical and digital identity, two light boxes from the Primo Piano collection by Gönül Nuhoğlu, an award-winning Turkish artist, known worldwide for her permanent public art in over twenty countries.  

Painting has no limits or surface in the works by Pierluca Cetera, considered one of the most innovative Apulian artists also known abroad and on display with the series Suspensions and Purgatory, a labyrinthine installation on Dante's imagery.                          The theme of the double and of the specularity is present in the works of the Zero series by Apulian artist Fernando Spano who is also very active abroad and whose works play on the identity of icons and simulacra of ancient and contemporary art. The myth and ecstasy of the fragile Narcissus is renewed and investigates the sphere of subjectivity with the works by Apulian artist Luigi Caiffa, present on the Berlin scene and beyond. Questioning what the reality it is, in the invitation addressed to the to reassemble the puzzle of an identity X by Apulian artist Monica Lisi with active exhibitions in Italy and some shows abroad.                  The identity of Self, archetypal and fragmented, is revealed in the works by Italian artist Maria Luisa Imperiali, known for the references to the self-portrait present in all her works. Beauty, death, transformation and change in the digital works by Lize Krüger, award-winning artist born in South Africa and based in the United Kingdom.

The mirror as a place to recognize or even disavow oneself is the story told in the video animation made by artistic duo with Nancy and Philip Barwell (she is from Algerian origins and Philip from England, both of them lives and works in ), they pay homage to the Allegory of bad government by Ambrogio Lorenzetti and by projecting the medieval painting at the time of the conflict between Russia and Ukraine. The control of reality and the nature of nothingness is present in the video by Iolanda Jansen, an internationally known young performer. The research of the Romanian cartoonist (French by adoption) Ioan "Nio" 

Herteg is on the duality and symbology of archetypal and niotipi© images. Rebuilding the connection with oneself and                            re-recognizing where the mirror captures and shatters individual identities is the present research in the video The Garden of 

Reflections: only one God/Self?  taken from the project “Discomposed Portrait” by the Venetian artist Ivana Galli, known for her environmental installations and performances.

Perception and deception of forms in the work Three Mysterious Faces by Greek visionary artist George Pantelis Syrakis and redemption and damnation with the work by German artist and screenwriter Alexandra Kordas. A face-to-face between roles and faults, the research present in the work Crime Sisters by French artist Laurence Scheer, life and death, truth and fiction with the wok by the young American artist Chai Skyler Malin, known for her evocative images between what we are and what we will be. On the delicate balance that exists in the relationship between the Self and the Other, drama and fears, the hyper-realistic work by Hélène Planquelle, a young French artist and very active on a national level. Fears of the imminent also, in the work by young Russian artist Irina Vytyaganets, resident in Spain.

Alberto “Nick” Bolettieri, is an Italian multi-instrumentalist musician, composer and conductor, born in Milan.  He has numerous concert and recording collaborations with great names of the international music scene in the field of jazz and pop music, including Nina Zilli, Marco Mengoni, Giuliano Sangiorgi, La Crus, Ennio Morricone, Armando Trovajoli, Paolo Fresu to name a few. Between 2010 and 2014, he held the role of principal trumpet in the orchestra accompanying the major Broadway musical shows, including Grease, Hairspray, Beauty and the Beast, Shrek, playing in Paris theatres and more. In addition to the concert field, he is engaged in the didactic field with the teaching of theory and music. On display with AcustiKelettronix, a new form of live solo performance that integrates improvisation and instantaneous composition of the trumpet with sampled and electronic sounds, played and driven live, obtaining each time a different and original performance connection with the exhibit space in which he performs.

Artists on display: Nancy & Philip Barwell (Algeria and UK), Alberto Nick Bolettieri (Italy), Luigi Caiffa (Italy), Patrizia Casagranda (), Pierluca Cetera (Italy), Ivana Galli (Italy), Alexandra Kordas (), Lize Krüger (South Africa), Ioan Herteg -Nio (Romania), Maria Luisa Imperiali (Italy), Iolanda Jansen ( The Netherland), Monica Lisi  (Italy), Chai Skyler Malin (US), Gönül Nuhoğlu (Turkey), Hélène Planquelle (), Laurence Scheer (), Fernando Spano (Italy), George Syrakis (Greece), Anna Ursyn & Stuart Smith (US), Irina Vytyaganets (Russia).  

Info: Renaissance venue of Palmieri Foundation (Ex Church of San Sebastian)

Vico dei Sotterranei, Lecce

Timetable: From Monday to Saturday from 16:30pm to 20:30pm

Morning and Sunday by appointment Phone art director: +39 349 37 20 659   primopianospecialprojects.com | [email protected]

Free ission

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Rue de Laeken 83, Bruxelles, Belgique

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Primo Piano LivinGallery Viale Guglielmo Marconi 4 Lecce 73100 - Italy

NOI SIAMO LA STORIA PERCHE` CI RACCONTIAMO
from 8/1/2011 to 16/2/2011

In today's society is difficult and almost impossible to think, always, the cohabitation and , the comparison of different cultures. The hybridization of cultures is as contemporary as an event, and resonates as a paradigm actually transparent, but requires precise depth.
The term "contemporary" is to indicate not only the 'now', the horizon of today's world. We know how fast the time and current world, as this is always in real time as a television, a space where images in a surprising speed often confusing. Internet becomes a virtual space in which the whole world s you in a snapshot size. The contemporary consumer culture, changing fashions, new economy subject to abuse and inequality, the status symbol is not, does not coincide with the world of today, the horizon of our most basic everyday now, but it is also something that references , wanting to adopt a phenomenological perspective, all that is reasonably believed at the same time of life, the knowledge that exists, exists, consists of an event at the same time when everyone is acting, there is, he thinks, that, without be able to see or touch, is significant in the same line of practice, thoughts, concepts, values, norms: is the idea that others share the same thoughts and practices when each individual thinks and acts. The contemporary world, as the path to images, messages, in which events are reflected in a simultaneous instant, imposes the need to adopt a fundamentally new look, freed from the conception of "culture" as a separate closed, isolated, identified with a territory. An American anthropologist now in his latest book turns its attention to an interpretive paradigm of "ethnic landscape: the views of people who are so great multi-ethnic civilization in which we live. Tourists, immigrants, refugees, political exiles and non-seasonal workers and other groups and classes of people and "people" in motion and face the reality with the fantasy of having to move, to play a part, a role on the world stage, the life ... So the concept of culture as we have always understood why these keys is less interpretive hermeneutic reading of the territories of the human ethnic landscape is a mess, a mess, a plot in which we are entangled, entangled in a limited role, because one hand we believe we can qualify the entities, to which cultures are subsisting and separate identity as defined, delimited, circumscribed to the specific boundaries, subject to laws and rules of their transformation, implicit, intrinsic, on the other we are embarrassed when we have to define these cultures in , in the substrate, in comparison, and multi-cultural encounter: where to start, where it ends, what elements constitute it and really determine, define it? The trilogy identity-culture-land is now obsolete sense, almost obsolete, but at this time of approval and the globalization of civilization there is a growing need for a return to a sense of identity, community, recovery through a "red line" of memory, but tied to particular historical events which its territory, the signs typical humans, the settlement time in the territories of the theater stories, history and experiences, of the infinitesimal moments of everyday life which it is woven. As you can retrieve the size of the contemporary memory of the past?

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Article 5925j

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participation expo collective "primopianogallery" Lecce, Italie, 8.01.2001 - 16.02.2011 2k2b32

parution dans Nature Art Today 2010 2r6j1h

parution dans ,,la bible de l'art singulier'', ed. lelivredart 2008, page 70 394c1o