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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
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About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1110 px | ||
 |
1500 px |
| Dimensions of the file (px) | 1110x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
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After having worked with various teachers of classical paintings, by taking my artistic independence I evolve more and more towards a more simplified writing going straight to the essentials. I call my work FIGURATIVE ABSTRACTION.
It is mainly in music that I draw the spark for my future creations as well as in dance and live performances in general. For some time I have been working on landscapes and face profile portraits dear to the cubist.
For dance and music, splitting the image creates rhythm and movement. The dynamic colors interpret the vibrations and the melody
In the transparencies after an elaborate background work with a knife, it is the light and the reflections that will determine the object, its shape and its volume.
For the landscapes, I exclude the details to keep only the essential, I idealize the colors by highlighting the dominant tonality, I use a writing inspired by cubism based on volumes and surfaces geometric .
Perpetually in search of novelty in my research, I try my hand at multiple techniques with different graphics by diversifying the subjects while keeping my own signature.
Currently the “Street-art” directs my creation.
Alain ARNOUIL
- Nationality:
- Date of birth : 1947
- Artistic domains: Works by professional artists,
- Groups: Contemporary French Artists
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