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Kiss & Dodge (2024) Photography by Alexandre Maelst

Photography, 12.1x15.9 in
$870.62
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This artwork appears in 2 collections
  • Non Manipulated Photography on Paper
  • Number of copies available 1
  • Dimensions Height 12.1in, Width 15.9in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Musicians
Lors de la sortie de leur single en avril 2024, les artistes ont posés pour leur couverture d'album, cette proposition, bien que non retenue pour la couverture officiel reste une des plus parlante de leur premier single "kiss & dodge" About this artwork: Classification, Techniques & Styles. Non Manipulated Photography. Photograph without being [...]
Lors de la sortie de leur single en avril 2024, les artistes ont posés pour leur couverture d'album, cette proposition, bien que non retenue pour la couverture officiel reste une des plus parlante de leur premier single "kiss & dodge"

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Noir Et Blanc

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In Alexandre Maelst's eye, each movement of the model brings a special touch: a momentum, a color or an emotion that make the luminous force of his works. He uses continuous light as much as the flash, choosing [...]

In Alexandre Maelst's eye, each movement of the model brings a special touch: a momentum, a color or an emotion that make the luminous force of his works. He uses continuous light as much as the flash, choosing to extend or freeze a moment of the observed choreography. Sometimes at the initiative of the choreography, he also collaborates closely with the people involved in each photographed project. His work is a condensation of movements and emotions experienced on stage, crossed by his gaze and made tangible by the lens of his camera.

Largely inspired by painting, particularly by the Impressionists and the work of Degas at the Opera, he also draws his visual culture from the sculptural works of Auguste Rodin and Raffeelle Monti. In photography, the work of Murray, Muybridge, Earnest Hass, Ansel Adams but also Malo, Flore and Zulli, give rise to his desire to his contemporaries by reinventing the classic processes of taking pictures.

The particularity of his technique lies in the combination of different processes. In chronophotography, the model performs a choreography in front of the lens during a long exposure time and in continuous light, the flash is manually triggered and allows the artist to capture precise moments, anchored in an uninterrupted gesture.

Working upstream with the model, dancer or singer, he determines the direction taken by the work and begins a reflection on the subtleties of his photographic process. In this creative process, the movement of the model becomes the photographer's brush, the gesture in all its forms intervening as the central element of his sensitive approach, in film as in digital.

Through a process of reflection lasting from a few weeks to several months, Alexandre Maelst takes the time to reflect on the symbols and aesthetics invoked in each of his works. The few minutes of photographic shots then concretize his research: the image created opens a door and allows a age from contemplation to reflection. Each of his compositions has a universe of its own: through a theme, a story and a thoughtful symbolism, he freezes the movement and deploys a new plastic meaning.

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