Memory of a Pain (Portrait of Santina Negri) (2023) Drawing by Andrea Botton

Gel pen on Paper, 13x9.5 in
$2,193.72   $1,843.47
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This artwork appears in 4 collections
  • Gel pen on Paper
  • Dimensions Height 13in, Width 9.5in
  • Artwork's condition Artwork may show signs of wear or visible flaws
  • Framing This artwork is not framed
  • Categories Women Portraits
The work is an ink-on-paper reproduction, created by me, of the famous painting by Giuseppe Pellizza da Volpedo. In this piece, I attempt to pay tribute to one of the most outstanding painters of the late 19th and early 20th centuries. "Having returned immediately from Paris, struck by the death of my sister Antonietta, I wanted to commemorate my sorrow [...]
The work is an ink-on-paper reproduction, created by me, of the famous painting by Giuseppe Pellizza da Volpedo.
In this piece, I attempt to pay tribute to one of the most outstanding painters of the late 19th and early 20th centuries.

"Having returned immediately from Paris, struck by the death of my sister Antonietta, I wanted to commemorate my sorrow with a half-figure painting titled 'Memory of a Pain.'"

With these words, written in a letter to his friend Vittorio Pica, Giuseppe Pellizza explains the meaning behind this work.

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Giuseppe Pellizza Da Volpedo

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Since I was a child, I have had a ion for art that goes beyond mere appreciation; it has become a continuous search for meaning and Archè. I have explored much of the art world, but in recent years I have [...]

Since I was a child, I have had a ion for art that goes beyond mere appreciation; it has become a continuous search for meaning and Archè.

I have explored much of the art world, but in recent years I have mainly focused on Computer-Generated Imagery (CGI), the medium I predominantly use today.

I am fascinated by the fact that images generated with CGI, while being visible, remain in the realm of nonexistence.

This duality of existence and intangibility intrigues me deeply: an image that persists in a form of permanence, while remaining ethereal and intangible.

Each of my CGI creations represents a journey through the boundary between the visible and the invisible, an exploration of the imaginary realm that challenges the conventions of reality.

My works are not simple representations, but rather windows into worlds that exist only at the intersection of perception and illusion.

With each rendering, I strive to capture and convey this tension between presence and absence, between matter and imagination.

In this space of duality, art becomes a reflection on the nature of perception and reality itself.

My work invites the viewer to immerse themselves in a visual experience that is as concrete as it is elusive, stimulating a meditation on what is truly real and what remains eternally elusive.

Through CGI, each image transforms into a kind of paradox, where imagination manifests in forms that, though perfectly visible, always remain on the boundary of nonexistence.

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