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L'Emblème de la Création (2022) Drawing by Aurélie Sarrazin

Pencil on Paper, 19.7x25.6 in
$1,058.92
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  • Oil on Paper
  • Dimensions Height 19.7in, Width 25.6in
  • Framing This artwork is not framed
  • Categories Esotericism
Entre péché originel et création divine ; ce dessin porte en lui l'emblème d'une écriture sacrée. qui ancre l'homme dans son milieu et n'est en aucune sorte un fruit donné ; mais un don à respecter! About this artwork: Classification, Techniques & Styles. Watercolor. Watercolor is a painting in which gum arabic binds transparent pigments revealing [...]
Entre péché originel et création divine ; ce dessin porte en lui l'emblème d'une écriture sacrée... qui ancre l'homme dans son milieu et n'est en aucune sorte un fruit donné ; mais un don à respecter !
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After a preparation workshop for the Grandes Ecoles in Paris, where I studied film photography, I won the Paris Beaux Arts competition. I wanted to a painting workshop but the structure of the school itself [...]

After a preparation workshop for the Grandes Ecoles in Paris, where I studied film photography, I won the Paris Beaux Arts competition.
I wanted to a painting workshop but the structure of the school itself was too loose. I didn't like the atmosphere. The spirit did not suit me
So I left to study oil painting on my own. Skin glue (old techniques), stand oil, siccative, learning washes, impasto...through abstract painting. My paintings were rather dark, inspired by Soulage.

I now live in Sète. .In the South the colors are more intense and more vivid, which opened the way to a more lively and colorful painting towards a figuration free from realistic constraints, playing with shapes as with words and borrowing from dreams its poetic verve.
I combine a number of techniques and s: watercolor inks and pencils, graphite, India ink and multiple-tip pens on paper, acrylic paint on paper. Acrylic and oil on canvas. For oil; I prepare my painting mediums myself with Venetian turpentine and Dammar varnish. Which gives the surface a much more enameled and shiny finish.

As for acrylic, I sometimes make my paints with natural pigments. The result is much more beautiful...However, the artist is also a craftsman and must acquire all the keys to his trade to provide a finished object that is successful in both content and form. I work with acrylic on sheet after priming with gesso to consolidate the sheet although I paint on 300 grs watercolor paper. I use brushes and painting knives to superimpose layers when I want to create vibrations in with light.


My paintings follow the thread of my dreams. I imprint the techniques on several currents of art but my works are above all the reflection of a totally personal universe, an alchemy of styles in a constant search for means of expression in the respect and sincerity of a universe teeming with symbols and magic within the image itself.
My painting touches on many movements while creating a very personal and singular whole. Cubism, surrealism and more classical art, then primitivism, combine to bring symbols into play. The figures flourish in a theatrical way in order to tell stories drawing on the unconscious, tales and legends or to convey a strong message about the universality of man as a #039;a living being, charged with consciousness
and carrying emotions and feelings making it interact with its community and its environment...its wonderful place of life that is the earth!

See more from Aurélie Sarrazin

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Painting titled "Le Masque" by Aurélie Sarrazin, Original Artwork, Acrylic
Acrylic on Paper | 19.7x15.8 in
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Drawing titled "Oiseau couché" by Aurélie Sarrazin, Original Artwork, Ink
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Painting titled "La Femme au papillon" by Aurélie Sarrazin, Original Artwork, Oil
Oil on Canvas | 25.6x21.3 in
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Painting titled "Dans la profondeur…" by Aurélie Sarrazin, Original Artwork, Acrylic
Acrylic on Paper | 25.6x19.7 in
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