Painting titled "Arbre à cheval" by Claude-Yvan Conne, Original Artwork, Acrylic

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Arbre à cheval (2022) Painting by Claude-Yvan Conne

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Acrylic on Linen Canvas, 31.9x23.6 in

$704

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One of a kind

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This artwork appears in 2 collections

Pastel on Linen Canvas

Artworks classification

One of a kind (OOAK / Original Artwork)

One-of-a-kind works of art are also known as “OOAK” artworks. This means that every work of art is unique and there will never be another identical one.
Dimensions Height 31.9in, Width 23.6in
Artwork's condition The artwork is in perfect condition
Framing This artwork is not framed
Categories Horse

Réflexion sur la pérennité de la vie. Œuvre de caractère. About this artwork: Classification, Techniques & Styles. Acrylic. Paint using traditional pigments mixed with synthetic resins. Charcoal. Drawing made with a branch of Willow or charcoal of charred Europe. It enables to obtain very deep blacks, precise traces, thin or on the contrary very broad, [...]

Réflexion sur la pérennité de la vie.
Œuvre de caractère.

About this artwork: Classification, Techniques & Styles

Acrylic

Paint using traditional pigments mixed with synthetic resins.

Charcoal

Drawing made with a branch of Willow or charcoal of charred Europe. It enables to obtain very deep blacks, precise traces, thin or on the contrary very broad, depending on the way it is used.

Painting Pastel

Pastel is an instrument widely used in plastic arts. Taking the form of a colored plastic stick, it is composed of pigments, a filler (chalk or plaster) and a binder (gum arabic, oil, wax). We mainly distinguish fatty pastels (oil or wax), dry pastels, whether soft or hard. Invented in Europe at the end of the 15th century, this tool was very quickly used by great portrait painters of French royalty, such as Charles Le Brun, Rosalba Carriera, Jean Siméon Chardin or Maurice Quentin de La Tour, who will be considered the "Prince of pastellists", thanks to a method of fixation of which only he knew the secret.

Pastel

Drawing made with a colored stick. It consists of pigments, a charge and a binder. A distinction is made between dry pastels (soft or hard) and fatty pastels (oil or wax).

Technic Painting

Painting is an art form of painting on a surface by aesthetically applying colored fluids. Painters represent a very personal expression on s such as paper, rock, canvas, wood, bark, glass, concrete and many other substrates. Work of representation or invention, painting can be naturalistic and figurative, or abstract. It can have narrative, descriptive, symbolic, spiritual, or philosophical content.

Related themes

Nature

Claude-Yvan Conne

CLAUDE-YVAN CONNE. BIOGRAPHIE. Diplômé des Arts et Métiers de Vevey en Suisse, et thérapeute ASCA en Suisse, Claude-Yvan Conne a décliné diverses facettes : d’un côté la décoration, l’architecture, ou encore l’architecture [...]

CLAUDE-YVAN CONNE

BIOGRAPHIE

Diplômé des Arts et Métiers de Vevey en Suisse, et thérapeute ASCA en Suisse, Claude-Yvan Conne a décliné diverses facettes : d’un côté la décoration, l’architecture, ou encore l’architecture d’intérieur , et de l’autre l’écoute d’une patientèle en tant que thérapeute.

C’est depuis les années 80 que Claude-Yvan Conne développe une troisième facette, la peinture, toujours à la recherche du monde qui l’entoure. L’artiste a eu de nombreuses expositions dont à la Galerie Unip à Lausanne, à la Galerie Loeb à Berne où encore aux Nations Unies à Genève. Récemment, il a exposé à la Galerie Vis’Art à Lyon. Ses œuvres font partie de collections privées et publiques.

DÉMARCHE ARTISTIQUE

Contrairement à l’architecte, Claude-Yvan Conne construit peu ce qu’il peint. L’artiste s’empare d’un sujet et commence à travailler.

C’est pendant ce processus que le peintre et le entrent en dialogue, à la recherche d’une concordance, jusqu’à une forme d’accord tacite. C’est là que l’artiste perd la maîtrise et que la toile commence son existence propre. Il travaille essentiellement en techniques mixtes, mélangeant ses propres ingrédients à la peinture acrylique. Il procède par succession de glacis et de composants personnels.

POST SCRIPTUM

Depuis toujours, j’ai conscience d’appartenir à un « ensemble ». Alors, je transpose sur la toile ma perception provisoire de la réalité, car l’on ne voit que ce que l’on connaît.

En ce sens, les peintures rupestres représentent les mémoires collectives et j’ai la sensation de partager quelque chose de notre patrimoine génétique. Quelque chose qui résonne au fond de chacun. J’aime travailler avec diverses matières et peintures.

Je recherche la continuité en trouvant dans mes compositions les éléments qui incarnent la mémoire collective. Cette présence est constante et je veux la révéler au travers de mes sujets. Un voyage ionnant au travers du temps. Ceci engendre parfois certaines expressions particulières à mes sujets, personnages, objets ou paysages.

ACTUALITÉ

Exposition en cours : Vis’Art Gallery, Lyon, .