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simulazioni n°1 (2023) Painting by Claudio Marciano

Oil on Paper, 7.9x11.8 in
$1,998.39
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One of a kind
Artwork signed by the artist
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This artwork appears in 3 collections
  • Oil on Paper
  • Dimensions Height 7.9in, Width 11.8in
  • Artwork's condition The artwork is in very good condition
  • Categories City
come per le città invisibili di Italo Calvino dove le città visitate da Marco Polo nascono dall'immaginazione dell'autore e non hanno corrispondenza alcuna a luoghi ben precisi; sono si invisibili ma non per questo meno reali. Un uso corretto del colore attraverso l'impressione, completa l'immagine. About this artwork: Classification, Techniques & [...]
come per le città invisibili di Italo Calvino dove le città visitate da Marco Polo nascono dall'immaginazione dell'autore e non hanno corrispondenza alcuna a luoghi ben precisi; sono si invisibili ma non per questo meno reali.
Un uso corretto del colore attraverso l'impressione, completa l'immagine.
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Claudio Marciano is a contemporary Italian artist. Shortly after receiving his diploma from the "Macchiavello" Academy in Florence, he embarked on a role as the Regional Provveditore of the Academy of Fine Arts [...]

Claudio Marciano is a contemporary Italian artist. Shortly after receiving his diploma from the "Macchiavello" Academy in Florence, he embarked on a role as the Regional Provveditore of the Academy of Fine Arts in Florence. In this position, he dedicated himself to organizing courses, educational and cultural exhibitions, as well as facilitating conferences. In those years, he was awarded a gold medal for artistic and organizational merits at the Hotel Cavalieri Hilton in Rome by the Hon. Spadolini and Colombo. In 1987 in Florida the Title HC of Doctor of Art of the University of Humanistic Students and of the School of Art History G. Morandi of Fidenza (PR). 

Claudio Marciano worked as a cutter and model designer, as a set designer for the Australian Ballet, as a window dresser, and as a painter-sculptor, exhibiting in numerous national and international exhibitions since 1975. In 1988 he went to Vallauris to learn ceramic techniques in the studio of Marius Musarra and Max Siffredi. Presently, he is engaged in a collaboration with the Presidency of the Council of Ministers, Department of Social Affairs, where he is involved in crafting a series of covers featuring his own artworks.

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