Painting titled "Feuillette champagne" by Eva Bergera, Original Artwork, Ink

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Feuillette champagne (2023) Painting by Eva Bergera

Name: ARTMAJEUR
Brand: ARTMAJEUR
Rating: 4.9 (12745 reviews)

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1162 px
	1500 px

Dimensions of the file (px)	1162x1500
Use worldwide	Yes
Use on multi-	Yes
Use on any type of media	Yes
Right of reselling	No
Max number of prints	0 (Zero)
Products intended for sale	No

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Graphite on Wood

Artworks classification

One of a kind (OOAK / Original Artwork)

One-of-a-kind works of art are also known as “OOAK” artworks. This means that every work of art is unique and there will never be another identical one.
Dimensions Height 6.7in, Width 5.1in
Artwork's condition The artwork is in perfect condition
Framing This artwork is not framed
Categories Pop Art

« La peinture d’Éva Bergera est un coup d’épée qui me va droit au cœur. Avec cette matière fluide qu’elle efface au tampon comme pour montrer la disparition des traces, elle réussit à évoquer l’impensable. Je pense, tout d’un coup à ce morceau de jupe de Monika Lewinsky, pièce à conviction du procès.
La toile se fait réceptacle d’une histoire des femmes, l’histoire du rapt et de sa douleur transfigurée par une imagerie religieuse qui crée des cœurs saignants.
La peinture d’Éva Bergera est nécessaire, portée par une acuité de regard mais aussi un geste sûr, le geste de ceux qui n’ont pas le choix et retrouvent en eux-mêmes un mouvement, une grâce unique. Loin de tous les colifichets ornementaux du moment, l’art d’Éva Bergera ouvre les clés d’une peinture qui touche l’essentiel dans l’interrogation sur le monde d’aujourd’hui, les figures de la domination. Elle est aussi révolutionnaire que le dessin d’Egon Schiele représentant les prostituées de sa prison. »

Catherine Duparc

About this artwork: Classification, Techniques & Styles

Ink

A strongly tinted liquid or paste that is used to mark paper or other printable materials. The design is done manually with a slab, feather, brush, or straightener.

Acrylic

Paint using traditional pigments mixed with synthetic resins.

Watercolor

Watercolor is a painting in which gum arabic binds transparent pigments revealing the of the painting. The gouache, of identical composition, is opaque. A watercolor is a water-based painting on paper. We rarely speak of a painting for a work painted in watercolor. Watercolor paintings are considered to be a unique way to creatively represent dreams, illusions, emotions and luminous feelings using water soluble pigments. However, painting with watercolors can be difficult. It's a difficult medium to master, in large part because it can be ruthless and unpredictable. Mistakes are difficult to correct and its fluid nature makes it difficult to control. Yet it is these very qualities that give the medium its undeniable charm.

Graphite

Black and white drawing made with a pencil, an instrument made of a small wooden stick used as a sheath for a graphite mine of the same length.

Technic Painting

Painting is an art form of painting on a surface by aesthetically applying colored fluids. Painters represent a very personal expression on s such as paper, rock, canvas, wood, bark, glass, concrete and many other substrates. Work of representation or invention, painting can be naturalistic and figurative, or abstract. It can have narrative, descriptive, symbolic, spiritual, or philosophical content.

Related themes

Femme

Eva Bergera

The works of Éva Bergera are cries, white cries, deaf cries. It is a theme as old as (in)humanity that works the artist: the moral, physical, sexual and social violence inflicted on those who do not think right. [...]

The works of Éva Bergera are cries, white cries, deaf cries.

It is a theme as old as (in)humanity that works the artist: the moral, physical, sexual and social violence inflicted on those who do not think right.

A harmony of raw words and pop colors, shocking images and pious aesthetics, the work exudes an impressive force.

Hell according to her is a contrast of colors both bright and soft, strewn with flowers, fruits and saints with ed hands. We see familiar faces, Loana, Claude François, the artist herself and others only known to the police – robot portraits of criminals. Eva Bergera's collages have the chilling beauty of Rogier Van Den Weyden's Last Judgment. Like the masterpiece of the Hôtel-Dieu de Beaune, they demand that we linger in front of them to appreciate all their power, the richness of the details. They are lacerated with sentences: "And what's more, this whore is nice", "Stop! Stop you tire me, order two pizzas and shut your mouth”, “Are you going to cry? “… These words, Eva Bergera heard them, collected, triturated, some were intended for her.

And in the middle of this mess remains laughter, humor as an indispensable revolt against the absurd, against a conception of life devoid of meaning, of center. There will always be death at the end, so go find something to do!

***

Born in 1988 in Roanne, Éva Bergera began painting in a painter's studio at the age of 8 and then multiplied competitions in supermarkets and surrounding villages. She develops an attachment to popular culture; Claude François, television, fairgrounds and a little later for the works of Annie Ernaux and Virginie Despentes.

Since the Salon de Montrouge, Éva Bergera's works have been noticed, bought by several ADIAF collectors, and her work has notably been shown at major Parisian fairs (the YIA, Slick Art Fair) or within prestigious institutions such as the IAC in Villeurbanne and the Lambert Collection Museum of Contemporary Art in Avignon.