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stuck in play (2019) Photography by Friedrich Ursprung

Photography, 29.5x40.2 in
$1,130.21
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  • Manipulated Photography on Paper
  • Dimensions Height 29.5in, Width 40.2in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is not framed
  • Categories Mythology
Götterdämmerung im Töggelikasten. In der Mitte ein Messias mit Drehmoment. Links ein Abwehrspieler, der nie gefragt wurde, ob er mitmachen will. Er schaut auf den Boden, als würde dort vielleicht ein anderer Ausgang versteckt liegen. Rechts der Offensivschwätzer, der glaubt, er sei der Held,. dabei blockiert er nur den Ball. - ein Mythos mit Griffstangen. [...]
Götterdämmerung im Töggelikasten

In der Mitte ein Messias mit Drehmoment.
Links ein Abwehrspieler, der nie gefragt wurde, ob er mitmachen will.
Er schaut auf den Boden, als würde dort vielleicht ein anderer Ausgang versteckt liegen. Rechts der Offensivschwätzer, der glaubt, er sei der Held,
dabei blockiert er nur den Ball.
- ein Mythos mit Griffstangen. Die Figuren wollen handeln, aber sie können nur ruckeln.

La mythologie comme un jeu figé.
Cela signifie que non seulement les personnages sont piégés, mais aussi des visions du monde entières. Rituels, dogmes, histoires qui ont autrefois ému,
sont aujourd’hui des répétitions sans fin sans direction –
Des cycles dénués de sens qui ne font que er,
parce que nous nous sentions perdus sans eux.

Trapped in idleness
Not because we have nothing left to say – but because we no longer know how to stop. We are s, not participants.
Even the gods are now mere shadows of themselves:
the eternally punishing father, the self-sacrificing son, the virgin savior
– they are merely rules of the game, no longer players.

Related themes

Götterdämmerung

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Friedrich Ursprung is a professionnal photographer and digital artist. He defines himself as a free-spirited iconoclast. His work is eclectic from abstract to explicit, about the age of self-referential hedonism. [...]

Friedrich Ursprung is a professionnal photographer and digital artist. He defines himself as a free-spirited iconoclast.

His work is eclectic from abstract to explicit, about the age of self-referential hedonism. He multiplies the images of himself to create a new one

Friedrich Ursprung is a selfie-thaught photographer. He studied method acting in San Francisco and storytelling in L.A.

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