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Epave à Flores (2022) Photography by Gaspard De Gouges

Photography, 11.8x11.8 in
$200.44
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This artwork appears in 3 collections
  • Non Manipulated Photography on Paper
  • Number of copies available 1
  • Dimensions Height 11.8in, Width 11.8in
  • Framing This artwork is not framed
  • Categories Dark Fantasy
Dans cette photo de Gaspard de Gouges en noir et blanc, il est question de mise en scène. Mettre en scène un paysage n'est pas chose courante. Ici il est créé de toute pièce et l'utilisation d'un éclairage artificiel nous renvoie à une impression d'étrangeté. A l'arrière plan on peut voir la proue d'un navire, d'une épave peut-être comme le laisse [...]
Dans cette photo de Gaspard de Gouges en noir et blanc, il est question de mise en scène. Mettre en scène un paysage n'est pas chose courante. Ici il est créé de toute pièce et l'utilisation d'un éclairage artificiel nous renvoie à une impression d'étrangeté. A l'arrière plan on peut voir la proue d'un navire, d'une épave peut-être comme le laisse à penser le sol sableux d'où l'eau s'est retirée. Au deuxième plan, dans la zone de netteté, on distingue comme un chemin creusé dans la roche.

In this photo of Gaspard de Gouges in black and white, it is a question of staging. Staging a landscape is not common. Here it is created from scratch and the use of artificial lighting gives us an impression of strangeness. In the background we can see the prow of a ship, a wreck perhaps as the sandy ground from which the water has withdrawn suggests. In the background, in the area of sharpness, we can see a path carved into the rock.

На этой черно-белой фотографии Гаспара де Гужа речь идет о постановке. Постановка пейзажа не является обычным явлением. Здесь он создан с нуля, и использование искусственного освещения производит впечатление странности. На заднем плане мы можем видеть нос корабля, возможно, обломки, о чем свидетельствует песчаная земля, из которой отступила вода. На заднем плане, в районе резкости, мы видим вырубленную в скале тропу.

在这张 Gaspard de Gouges 的黑白照片中,这是一个舞台问题。 布置景观并不常见。 在这里,它是从零开始创建的,人工照明的使用给我们一种陌生的印象。 在背景中,我们可以看到一艘船的船头,这可能是水退去的沙地所暗示的沉船。 在背景中,在锐利的区域,我们可以看到一条刻在岩石上的小路。

Katika picha hii ya Gaspard de Gouges katika nyeusi na nyeupe, ni suala la staging. Kuweka mazingira sio kawaida. Hapa imeundwa kutoka mwanzo na matumizi ya taa ya bandia inatupa hisia ya ajabu. Huku nyuma tunaweza kuona sehemu ya mbele ya meli, ajali iliyoharibika labda kama ardhi yenye mchanga ambayo maji yametoka humo inavyodokeza. Kwa nyuma, katika eneo la ukali, tunaweza kuona njia iliyochongwa kwenye mwamba.

Related themes

Flou

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Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint large format [...]

Gaspard de Gouges lives and works in the Gard, between Montpellier and Marseille (). He is a graduate of the National School of Decorative Arts in Paris. In the early 2000s, he began to paint large format figurative canvases, group portraits. Since 2021 he has devoted himself to photography, which has become a game for him, a kind of motionless journey.

"I started photographing scenes when I was 10 years old, with very realistic toys and models that I built with stalks of dry grass, miniature vehicles. For a long time I wanted to photograph islands, to their dreamlike power, I love to travel there and their memory persists. Their existence plunges us into an elsewhere. I imagined them tropical, but it is on mineral and Mediterranean islands that I finally decided to evoke. My approach is to create stagings, artificial but plausible, realistic landscapes. I create imaginary worlds, sometimes containing ruins, at least rocks that sometimes make me think of fortresses. These landscapes surprise me and always give me a lot of pleasure to create. "

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