Seller Geraldine Clarkson
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1260 px | ||
 |
1280 px |
| Dimensions of the file (px) | 1260x1280 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
immediately upon purchase
This image is available for with a licence: you can them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please us for a custom licence. Art image bank
Related themes
I have always been fascinated by transformation – in the ancient sense of ‘changing the form of something’. Transformation is not turning something into something else, but changing how it appears, presenting it in a different form. Nothing comes from nothing; even the first man is said to have been made out of dust or clay.
Likewise artists, craftsmen, creatives transform their chosen medium (paint, wood, etc.) into a tangible expression of what they see in their mind’s eye…
This feeling for transformation found its first expression in childhood when, armed with a pair of scissors, glue and a pile of my mother’s glossy magazines, I marched enthusiastically into the vast world of collage.
It is only in recent years, though, that I am discovering the creative power of fabric, and how perfectly it lends itself to transformation. And so remnants, scraps, cast-off clothes and worn-out but still-loved pieces of fabric take on a different form through collage and become art.
And here I am again with the scissors and glue...
When an idea comes to me for a fabric collage I leave it to mature a long time before getting started, and when I do start I dedicate very little time to planning. I have never been able to ‘preconstruct’ the picture I want to create, I don’t seem to have the discipline. Likewise, in shaping and placing each piece of fabric it is the work itself, and my vision of what I want the result to be, that guides me. Often it is a process of trial and error, of experimenting with effects; usually the first part I spend practically feeling my way, but this is a medium that is forgiving, and generous, and immensely versatile. It demands only total attention and the use of obedient hands. For the rest it creates itself.
- Nationality: UNITED KINGDOM
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary British Artists
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