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Vivid Scorched - Original #A0010 - Lilliput Genesis Original (2022) Painting by Grégory Dreyfus

Digital Painting on Paper, 17.8x17 in
$5,284.07
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Fine art paper, 8x8 in
One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork is framed
Mounted on Aluminium
  • Digital Painting on Paper
  • Dimensions 19x19.9 in
    Dimensions of the work alone, without framing: Height 17.8in, Width 17in
  • Framing This artwork is framed (Floating Frame)
  • Categories Esotericism
Derived from the Genesis Original - on « Museum Etching Paper » - RaG Texture - 350 gr. Genesis Original#A0010 is derived from the first physical work which is no longer the same or exist. Having evolved since it has been restored. Resulting: It is a rare and unique version release. Nether less as a prequel "Lilliput genesis" remains kind of Autoportrait. [...]
Derived from the Genesis Original - on « Museum Etching Paper » - RaG Texture - 350 gr
Genesis Original#A0010 is derived from the first physical work which is no longer the same or exist. Having evolved since it has been restored. Resulting: It is a rare and unique version release.

Nether less as a prequel "Lilliput genesis" remains kind of Autoportrait. Where Lilliput has its origin.

As a reminder It represents - At the beginning was… - like an emerging inside mouvement, hypersensitivity and extreme consciousness from yourself ...Of where you are from, who you are, where you go. ...Then later, in the artistic realization to build, that way to struggled, that harsh journey, the way of an artist realization to fight for his 'Œuvre', across that singular life made of 'battles from the middle'.

...Lastly, from that extended gaze in look-back in and from yourself, about all this years all along before sun’s downing, before dying ...with a too used mask for all of that « comédie de la vie », meaning the terrible missing part from ones …choices made …from all those adventures exposing what it had been of regrets …or not …about lived in.

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Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only. An actor, an author, a director, a director, a photographer. A sort of family atavism which was to be gloriously [...]

Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only... An actor, an author, a director, a director, a photographer... A sort of family atavism which was to be gloriously balanced in art, by the action of one as by the action of the other. Dancer, mime, designer and singer were, however, his first living expressions.

After 4 years spent studying art and design at the JULIAN Academy and the school of graphic art and interior architecture, “Met de Penninghen” in Paris. And after having been the apprentice of one of the last great alchemists of oil painting. Or ambitious for having been approached, the Magnum photo agency in NY as photographer. ...Meeting masters, maintaining exchanges with great artists. ionate about the History of ideas, self-knowledge... - A pronounced taste for Asia. But living in particular in London, Paris, NY and Taipei - He never stopped working to develop his creation, linking their very actions in all aspects.

Drawing, painting, playing, dancing, framing, installing... launching into transversal work, as an actor on all forms of theater stages as well as film sets - author, director - director... and visual artist. Thus nourishing each “act” of creation from one to the other, he tly amplified this creativity.

...At the same time, he embraced the world and industries of advertising, music, theater and cinema at different levels of creativity and responsibility.

...Leading like a weaving, this multi-body work with a thread of happy subsistence, in a life of perpetual advancement. ...Linking very often, always developing, constantly projecting, in the transversal perspective, this long-term "movement".

Today, he leads all the battles head-on in the balance of an almost musical dialogue...And in short! ...To simply make a work.

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