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"Sillustani" (2023) Painting by Jose Luis Santamaria Campos

Oil on Canvas, 23.6x28.7 in
$2,771.63
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  • Oil on Canvas
  • Dimensions Height 23.6in, Width 28.7in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories America
“Sillustani” esta obra semi-abstracta representa un enigmático complejo funerario en el que se puede ver una serie de impresionantes tumbas pertenecientes a la cultura Colla (Perú) entre los años (1200-1450) que se desarrolló en la parte norte del lago Umayo, en la localidad conocida como Hatuncolla, a 33 km entre la ciudad de Juliaca y Puno. Las tumbas, [...]
“Sillustani” esta obra semi-abstracta representa un enigmático complejo funerario en el que se puede ver una serie de impresionantes tumbas pertenecientes a la cultura Colla (Perú) entre los años (1200-1450) que se desarrolló en la parte norte del lago Umayo, en la localidad conocida como Hatuncolla, a 33 km entre la ciudad de Juliaca y Puno. Las tumbas, llamadas chullpas de Sillustani, tienen forma cónica y miran hacia la puesta de sol sobre el lago Umayo. Son construcciones que en menor número se encuentran también en varios otros logares del altiplano.
Los enclaves funerarios llamados Chullpas, en la época superior Inca, la inferior de esa época fue Tiahuanaco. El nombre Sillustani proviene de las palabras sillus que significa (uña) y llustani (resbaladero). La traducción literal sería entonces resbaladero de uñas, quizás haciendo referencia a que la unión entre los bloques externos de la construcción de las chullpas no permite ni el pasaje de una uña entre piedra y piedra colocadas en forma circular. Espero os guste conocer estas culturas precolombinas milenarias.
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Jose Luis Santamaria Campos is a contemporary Spanish painter. Having graduated from the Panamerican School of Art in Buenos Aires, Argentina, he encountered a period where he had to balance his artistic aspirations [...]

Jose Luis Santamaria Campos is a contemporary Spanish painter. Having graduated from the Panamerican School of Art in Buenos Aires, Argentina, he encountered a period where he had to balance his artistic aspirations with a simultaneous career in creative direction across various advertising companies for several years.

Throughout his artistic journey, he seized opportunities to showcase his creations in diverse settings, participating in solo and group exhibitions across countries such as Argentina, Peru, and his homeland, Spain. A notable highlight in his exhibition history was the Contemporary Art Fair in Seville, Spain, in 2003.

Today, Santamaria boasts a collection of over 60 works that have garnered international acclaim, utilizing a variety of techniques, with a particular focus on oil and watercolor. His artistic style leans towards Impressionism, but he also explores themes of Indigenism, occasionally intersecting with the realm of Abstract art. Describing himself proves challenging for the artist, as he prefers viewers to form their own conclusions about his work. For Santamaria, art is a means of bringing his soul to the canvas, where he plays with colors to breathe life into a creation that becomes, in essence, a reflection of the artist himself.

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