Ultima sigaretta (2020) Painting by Lidia Tchoumakova
Seller Lidia Tchoumakova
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1241 px | ||
 |
1500 px |
| Dimensions of the file (px) | 1241x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
immediately upon purchase
This image is available for with a licence: you can them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please us for a custom licence. Art image bank
- Oil on Canvas
- Dimensions Height 23.6in, Width 19.7in
- Framing This artwork is not framed
- Categories Expressionism
Ha frequentato gli studi di affermati maestri, ed ha approfondito con successo le tecniche di olio, acrilico, acquarello.
...Una pittura di tendenza espressionista, concepita fra un candido naturalismo ed un lirico impressionismo mediterraneo...
Il dipinto è eseguito con la tecnica "a spatola" che mette in rilievo lo spessore della materia.
La tela è dipinta di nero sui bordi.
Related themes
Lidia Tchoumakova was born in Berlin to Russian parents. She lived and studied in Moscow, where she graduated in foreign languages.
Attracted by Italian beauty and art, she moved to Milan, where she began her artistic journey. In the atelier of the painter Adriano Fossà, she specialized in drawing and oil painting; with the painter Luigi Zucchero, she practiced the watercolor technique.
He has participated in numerous group exhibitions and has held personal exhibitions in Milan, Gallarate, Somma Lombardo, Novara, Robbio.
He currently resides in Robbio Lomellina where he has his studio.
"The first impression one gets from Lidia Tchoumakova's works concerns color. Before graphic form, she entrusts the choice of colors to the evocation of the atmosphere, from time to time serene, brilliant, sophisticated, sensual.
The description of the subjects es through different techniques of drafting the image on the , sometimes mixed in the same painting, sometimes univocal to emphasize the character of the representation, now dreamy, now dynamic and cheerful. Sometimes cloudy, but vital. Never dull, flat or listless.
Descriptive contrasts sometimes appear in the mix of the search for detail contradictorily cloaked in a patina of indefiniteness, capable of permeating the scene with veiled nostalgia ...
Certain intensity of his vision of city or landscape glimpses, made up of chromatic intensifications, reflections or sometimes clouding, give the scenes a license of originality and depth that always solicits a reflection in the observer, absorbing their attention beyond the purely descriptive data. of the scene represented. Which is never static and draws a sense of vitality from the details that animate it and from the pictorial gesture, which is itself lively and attentive.
What about his women, full of character, fickle, permeated and framed in an explosion of colors, always brilliant. Set against abstract backgrounds intended to be evocative and symbolic. But above all Byzantine, to retrieve the refined formation of its Russian origins. Byzantine yet sensual, as only certain Mediterranean characters can be. A demonstration that the fusion of such different cultures can give rise to unexpected and surprising syntheses.
Likewise the nudes. Whatever the chosen technique, from pastel to oil, to acrylic. A universe apart from the rest of her production, in which the painter once again shows that she wants to recover the roots of her culture, both East and Central European. Probably the most original and innovative side of his work. Certainly what characterizes her originality as an author. "
Pierluigi Surace
- Nationality: ITALY
- Date of birth : unknown date
- Artistic domains: Works by artists with a certified artist value,
- Groups: Contemporary Italian Artists
Explore the history of art through AI
Visually similar works of art history
