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Introjectée (2023) Sculpture by Marion Revoyre

Sculpture - Paper maché, 48x15.8 in
$9,102.55
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This artwork appears in 1 collections
  • Glass on Wood
  • Dimensions Height 48in, Width 15.8in / 28.10 kg
  • Artwork's condition The artwork is in perfect condition
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories History
«Une façon de er l’inable, c’est de s’identifier à l’inable». Lors d'une agression il y a un transfert d'énergie entre l'agresseur et sa victime. Celle-ci se retrouve, une fois le traumatisme é, à ressentir des émotions qui ne lui appartiennent pas, à souhaiter des choses dont elle ne veut pas. Elle porte également la culpabilité [...]
«Une façon de er l’inable, c’est de s’identifier à l’inable»

Lors d'une agression il y a un transfert d'énergie entre l'agresseur et sa victime. Celle-ci se retrouve, une fois le traumatisme é, à ressentir des émotions qui ne lui appartiennent pas, à souhaiter des choses dont elle ne veut pas. Elle porte également la culpabilité et la haine de son agresseur.
Le travail de différenciation entre le sujet et l’objet ne peut plus s’effectuer.

Il ne reste que la solution de dénier le traumatisme et d’«introjecter» dans une identification aliénante l’objet fauteur de traumatisme.

Jusqu'à la compréhension et l'acceptation de son histoire, qui lui permettront de faire le tri entre qui elle est et ce qu'elle porte de l'autre, la victime en proie à ce transfert sera systématiquement renvoyée à son traumatisme initial. Qu'elle s'en souvienne, ou pas.

Cette oeuvre tend à montrer comment la haine et la violence sont imbriquées dans l'intime et le vulnérable. Je souhaite ici vous montrer la difficulté d'entrer en résilience quand on est rompue au système de domination.

Related themes

Violence

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Self-taught artist, Marion Revoyre grew up in the Bordeaux region. Daughter of a unionized mother and a gourmet father, she was immersed in a rich and varied cultural environment and took her first steps in a [...]

Self-taught artist, Marion Revoyre grew up in the Bordeaux region. Daughter of a unionized mother and a gourmet father, she was immersed in a rich and varied cultural environment and took her first steps in a workshop at the community center, at Jean-Marie's.

A workshop that would leave a diffuse mark on her, that of all possibilities. Using her flawless imagination, she gradually created a world increasingly colored by her traumatic experiences, her taste for politics and her cultural eclecticism.

Attracted to music at first, she drew, sewed, sang, photographed and it was finally collage and sculpture that would allow her to fully express herself.

Always anxious to correspond to she knows not what, she castigated herself for carrying a baggage of underground and offbeat cultural knowledge until she understood that they were her own essence. She became particularly aware of this during her exhibition in Paris as part of the festival of radical forms where she presented a cathartic work, "Introjectée".

Without specific inspirations, she nevertheless sides with the subversives and is careful not to limit herself. The various prizes she receives prove to her that her art has its place in this world and this is how she wants to be a free artist, committed to ensuring that each of her colleagues can live from their profession in a world free of borders.

See more from Marion Revoyre

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Collages titled "Fumer Tue" by Marion Revoyre, Original Artwork, Collages
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Collages titled "Bolet-Joli" by Marion Revoyre, Original Artwork, Collages
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Collages titled "Zombies Are Trash" by Marion Revoyre, Original Artwork, Collages
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Collages titled "Ceci est mon corps" by Marion Revoyre, Original Artwork, Collages
Collages on Paper | 15x14.8 in
$562.86

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