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Этюд N5 "Столпник Бунюэля, Дали и жёлтый пёс Андалусии" (2023) Painting by Milan Dzurdzevic

Oil on Canvas, 11.8x7.9 in
$448.57
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  • Oil on Canvas
  • Dimensions Height 11.8in, Width 7.9in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Geometric
Этюд написан к картине "Кинопоказ великих режиссёров. Омнибус "Куросава, Эйзенштейн и Бунюэль". About this artwork: Classification, Techniques & Styles. Oil. Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists of superimposing layers of paint increasingly rich in oil for a solid and durable hanger. [...]
Этюд написан к картине "Кинопоказ великих режиссёров. Омнибус "Куросава, Эйзенштейн и Бунюэль".

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Этюд

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Милан Джурджевич. Родился в г.Шабац (Сербия). С раннего детства увлекался живописью и литературой. Посещал художественную школу ( класс профессора Златы Петкович). Основное образование - инженерно-техническое. [...]

Милан Джурджевич. Родился в г.Шабац (Сербия). С раннего детства увлекался живописью и литературой. Посещал художественную школу ( класс профессора Златы Петкович). Основное образование - инженерно-техническое. Профессионально продолжил  заниматься живописью ( выставки, конкурсы...) с 2000 года. Участвовал в выставках в городах Сербии, Германии, России. В 2023 году - участник и победитель Российской недели искусств в Москве.  Конкурс "Арт-прортерт" 2023г. Москва. - 2 место. Лауреат Российской недели искусств 2024 год.  За поиск, эксперимент и новаторство в искусстве награждён золотой медалью им. К. Малевича. Лауреат Российской премии искусств за 2023 год. Картины художника находятся в частных коллекциях Сербии, России, ОАЭ, США. А также в музеях, в частности, в Музее Русской Культуры (Москва).
 Милан Джурджевич  пишет картины в собственном жанре -  "Тематическая абстракция". Данные картины, как зеркало, отражают прошлое, собственно настоящее время и весь наш мир.  Именно к такому выводу, проведя глубокий анализ и изучив современное искусство, пришёл художник. Ведь картина, даже абстрактная, должна быть понятна зрителю. А понятна она будет только в том случае, если художник пишет сюжет, тему, переносит на холст мысли (если они конечно есть).  «Смотреть на картину – для меня это не просто процесс созерцания. В любой картине я пытаюсь увидеть событие. Это, как возвращаться в детство через балкон, тихонько, на цыпочках…» (Милан Джурджевич из книги "Тематическая абстракция с комментариями и объяснениями").

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