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Abrasion AB203, Suisse. Hommage à Hodler (2025) Photography by Myriam Véjus
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Usage: Web Licence
| 937 px | ||
 |
1500 px |
| Dimensions of the file (px) | 937x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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- Digital Photography on Plexiglass
- Number of copies available 5
- Dimensions Height 23.6in, Width 35.4in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Abstract
Ma série « Abrasion » est un voyage dans la décomposition des couleurs du spectre de la lumière
Blanche, en différents lieux et à différentes heures de la journée.
Par réglages au boîtier de mon appareil photographique, je cherche à déformer les ondes
lumineuses pour extraire les couleurs de la lumière blanche à travers la succession des lentilles de
mon objectif.
Ces clichés sont ensuite retravaillés en art numérique pour une harmonisation des couleurs.
Cette série explore la genèse de la lumière, son interaction avec l’eau et l’air, révélant ainsi des
aspects intimes et mystérieux de notre environnement.
Dans mes travaux, j’utilise l’histogramme des couleurs pour établir une analogie antre un lieu et
son environnement, comme une carte d’identité à travers la nature de la lumière et de ses
couleurs.
Du violet dominant de Londres ( une des symboliques du violet est la royauté ), en ant par les
couleurs éclatantes de Collioure (ville de prédilection de l’école fauviste ) ou encore le vert pâle de
la côte de Jade en .
Un procédé qui permet de transcender les aspects visuels pour offrir une réflexion plus profonde
sur les relations entre la lumière et son environnement.
Ces séries sont proposées en impression sur plexiglass transparent en vitrophanie de 0,5 cm
d'épaisseur.
Ce contemporain apporte une légère profondeur à l'image, en respectant fidèlement la
luminosité et les couleurs capturées à la prise de vue.
Un contemporain qui fait office de dernière lentille de mon objectif
photographique avant de parvenir au diaphragme de l’oeil du spectateur qui se fait l’ultime acteur.
Related themes
Myriam Véjus is a photographic artist born in on April 1, 1977, whose work is deeply rooted in the exploration of light. Through her photographic series, she engages in a meticulous quest for light phenomena and their multiple manifestations.
His “Abrasion” series is a captivating journey into the breakdown of the spectrum of white light, often invisible to the naked eye. This series explores the genesis of light, its interaction with water and air, thus revealing intimate and mysterious aspects of our environment.
In her work, Myriam Véjus uses the color histogram to establish an analogy between a place and its environment. This process allows him to transcend visual aspects to offer a deeper reflection on the relationships between light and its space.
His monochrome series, titled “Dark Light,” looks at the dichotomy between light and darkness. Here, she manipulates the brightness slider to create compositions where light and darkness meet, generating textures, surfaces and volumes that question the very nature of visual perception.
Through the histogram of luminance, Myriam Véjus explores the creation of materials and light states, bridging the gap between states of light and states of matter. His work is not limited to capturing images, but also focuses on deciphering and revealing the hidden layers of light, transforming each photograph into a tactile and visual exploration of the fundamental elements that make up our world.
His unique approach to light as a primary medium allows him to create works that question and enrich our understanding of natural elements, while offering a singular artistic perspective on the interactions between light, matter and perception.
- Nationality:
- Date of birth : 1977
- Artistic domains: Works by professional artists,
- Groups: Contemporary French Artists
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