Nataliia Khoruzhenko o3c4s

🌊 SEVEN SEAS – Complete Series Now Available

Acrylic on canvas

3 original paintings (one of a kind)

Each 46 × 38 cm

What if the ocean held not water — but feeling?Seven Seas is a conceptual trilogy where each painting transforms a maritime scene into a metaphor for inner life.
Painted over the course of several months, this series explores emotional states as seascapes:
Hopeless – A ship adrift, a single line descending into darkness.
Hopefull – A lone vessel above invisible depth. Waiting, reaching.
Confidens – A ship entering an icy corridor. No detour. Just direction.

Together, these paintings form a quiet narrative about uncertainty, longing, and inner clarity.Rendered in layered acrylic with soft gradients and contrast, the series speaks in calm tones — but carries weight beneath the surface.
Each piece is signed and ready to hang.Available individually or as a complete collector’s set.
🖼 Feel free to message me for details or additional photos.

Bubbles Series – A Meditation on Fragility and Becoming2025 | Acrylic on Canvas
What if each moment of transformation had a surface? Something transparent, luminous, trembling?
The Bubbles series is not just a study of light and form — it’s a metaphor for states of being. Suspended in vividly colored spaces, these delicate orbs become vessels of emotional memory: birth and rupture, joy and uncertainty, entropy and expansion. Each painting is a snapshot of a breath between tension and release.
From the saturated crimson of Melancholia, where bubbles float in static unease, to Reborn, where a distorted form alludes to mitosis and reinvention — and finally Criza, a psychological eruption where reflections of wildfire and starlight collide — the series traces a nonverbal arc of inner shifts.
These are not objects, but phenomena — fragile, fleeting, and reflective.
For collectors of abstract emotional landscapes and conceptual realism.Signed originals. Message for availability or commissions.

I’ve always loved fantasy, science fiction — and dragons.
Why dragons? I used to have rational reasons, but they’ve long been lost to time. What stayed was the love.

I believe my totem animal is a green dragon. Whenever I feel lost or weak, I draw one — with anything, on anything. Napkins, receipts, scraps. Most of those sketches disappear.

This one I painted with watercolor in Kyiv, in a sketchbook. I was staying in a tiny hotel room in an industrial district — not exactly home, but still my city. I sat there quietly, drawing this dragon, preparing to say goodbye and fly to New York.

At the time, I didn’t know New York wouldn’t happen — not yet.
But that’s a different story.

This painting is not a photograph — but it feels like a memory.

I lived in the Netherlands for a year and a half, mostly in Groningen, and this image came to me not from one specific street, but from the many I wandered through at dusk.
It’s an illustration — a quiet blend of impressions: the tall, narrow houses, the soft haze of humidity, the sky that holds color longer than you'd expect. And above it all, a pair of shoes hanging from the wire — like punctuation in the silence.

Groningen had its own rhythm. A mix of peace and strangeness, structure and softness. I often walked alone through empty streets at sunset, with light bouncing off bricks and bicycles whispering by. That light — soft orange and violet, impossibly spacious — made even the ordinary feel cinematic.

This piece is my tribute to that in-between feeling:
Of being foreign, but not lost.
Of not belonging, but still being held.
Of noticing everything because it’s all new, and beautiful in unfamiliar ways.

Sunset in Groningen isn’t about a place — it’s about what it leaves inside you.

Хочешь, я сделаю короткую версию для Instagram или превью для Etsy/Artmajeur?

Not all portraits show a face.The Woman was never meant to be literal — and yet, to me, she feels deeply real.
I painted her as an octopus, a swirling, reaching, powerful presence. Each arm twists in a different direction: curious, searching, resisting, embracing. There’s chaos, elegance, control, and surrender — all at once.
The background is soft, almost dreamy — pastel clouds of rose and turquoise. But she is dark, grounded, ancient. Textured, imperfect. Glitter and grit. A creature of depth.
To me, this painting speaks about the feminine as multiplicity. As contradiction. As instinct and complexity.She’s not here to be defined. She just is. And I love that.
I didn’t fully plan this piece. It emerged intuitively, like many of my works. But once she appeared, I knew her. She’s strength without sharpness. Motion without noise. She’s every version of me I’ve met — and the ones I haven’t yet.

A Cup of Summer
Some paintings hold more than just paint — they hold seasons, scents, and memories.
This little oil painting is one of my oldest, created many years ago from life. The cup was real, sitting quietly on a sunlit table at my family’s summer house. I the lace curtain shifting in the breeze, a lazy cat stretched in the warmth, and the distinct smell of fresh coffee drifting through the air. That moment was so simple — and so perfect.
I tried to capture it all: the soft light, the peaceful mood, the comfort.To make it even more tangible, I framed it in rustic wood, added burlap, and glued real coffee beans onto the surface. Yes, it still smells faintly like coffee — even after all these years. Every time I look at it, I’m right back in that moment.
This piece isn’t part of any formal series or exhibition. It’s just mine. A small, fragrant, nostalgic time capsule. A reminder that art doesn’t have to be grand — sometimes, it’s enough to make something that simply feels like home.

I’ve recently added several new pieces to my gallery — each one a quiet exploration of form, emotion, and hidden meaning. From the stillness of deep water to the silence of a shadow in the fog, these works speak through space and atmosphere rather than noise.

My practice is constantly shifting — sometimes surreal, sometimes minimal, always intuitive. I’m interested in the moments between — between thoughts, between places, between the known and the imagined.

Thank you for being here.

If something resonates, I’d love to hear from you — whether it's for conversation, collaboration, or commission.

Stay curious.

Tasha

I’m currently open for commissions and creative collaborations.

Whether it’s a custom painting inspired by your story or an experimental project merging science and visual art — I’m happy to explore ideas with collectors, curators, or fellow artists.

My work often draws from emotional states, natural forms, and biological imagery — but I love adapting my language to new contexts.
If something in my style speaks to you, feel free to reach out and we can discuss what we could create together.

Let’s connect — and build something meaningful.

Hello and welcome!
My name is Tasha, and I’m a painter and bioengineer originally from Kyiv, Ukraine.

Due to war and work, I’ve been on the move for the past few years — shifting countries, cultures, and perspectives. Every place I land in leaves a trace in my art. Currently, I live and work in Nice, , where I’m finally finding space to reflect, create, and reconnect.

ing Artmajeur feels like stepping into a global studio — and I’m very happy to share my work here.
My artistic practice is driven by search, intuition, and experiment. I like playing with perception, emotion, and biological patterns — moving between abstraction, surrealism, and subtle symbolism.

Thank you for being here. I hope my art will resonate with something personal in you too.