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envers, paysages inverses suspendus (nature) 24/35 (2024) Photography by Nicolas Lespagnol
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Usage: Web Licence
| 965 px | ||
 |
1500 px |
| Dimensions of the file (px) | 965x1500 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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- Digital Print on Other substrate
- Number of copies available 1
- Dimensions Height 27.6in, Width 47.2in
- Categories Fantasy
Ce jardin semble bien réel
la fillette ne tombera pas , elle sais où elle va
La photographie peut être de grande taille 150 X100 centimètres , le prix est alors modifié
La nature est complexe mais aussi malléable. Retournez un paysage et il se transforme en un autre.
Le paysage retourné ne tombe pas , il est l’endroit d’un nouveau paysage.
Le personnage qui s’invite donne l’échelle et invite le regardeur a entrer dans le paysage.
Nature envers contraire espace paysage végétation champ herbe pelouse ciel léger concept conceptuel aérien abstrait abstraction
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Nicolas LEspagne is a photographer whose artistic work is deeply influenced by abstraction and abstract expressionism in painting. For him, photography offers a unique way to explore the emotions and concepts related to these artistic movements while capturing the real world around him.
His photographic series, notably the one entitled "Welded Landscapes", bear witness to his quest to strip reality of its perceived reality, while preserving its integrity. This paradoxical process involves eliminating elements such as time, narrative, depth and sensory impressions in order to retain only form. The end result of these experiments can sometimes seem abstract, creating a link between photography and abstract painting.
Nicolas attaches great importance to maintaining photography's ability to convey the reality of the medium. He refuses to complicate the image to the point of transforming it into painting or mixed media. Instead, he opts for normal subjects, simple shots, and compositions that are accessible to the viewer. The goal is to allow the audience to feel connected to the image, as if they had taken the photograph themselves.
Another important feature of his approach is the elimination of time. Nicolas believes that capturing a precise moment, although it can reveal an essential detail, often excludes the moment before and the moment after. He prefers to create images that suggest permanence, thereby eliminating duration. This approach aims to bring together the moments before and after the captured moment, creating a photographic experience that transcends time and captures the timeless essence of reality.
- Nationality:
- Date of birth : 1960
- Artistic domains: Works by professional artists,
- Groups: Contemporary French Artists
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