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Spirits of the place (2024) Collages by Peter Otlan

Collages on Paper, 20.9x17.3 in
$1,646.52
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Fine art paper, 10x8 in

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  • Collages on Paper
  • Dimensions Height 20.9in, Width 17.3in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Collages under $5,000
It is reasonable to assume the dualism of the "reflective self" and the "non-reflective nothingness" which changing in themselves, are is only being. As a breath in and a breath out. About this artwork: Classification, Techniques & Styles. Watercolor. Watercolor is a painting in which gum arabic binds transparent pigments revealing the of the [...]
It is reasonable to assume the dualism of the "reflective self" and the "non-reflective nothingness" which changing in themselves, are is only being. As a breath in and a breath out.
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Drawing was always a part of my life. I went to a school of art in Leningrad (St. Petersburg today). I had a teacher who taught me to feel reverence for works of art. He introduced me to Eugène Fromentin and his [...]

Drawing was always a part of my life. I went to a school of art in Leningrad (St. Petersburg today). I had a teacher who taught me to feel reverence for works of art. He introduced me to Eugène Fromentin and his ionate relationship with Flemish painting.
I became a student of architecture, I was lucky with the professors. Among them we had Lazar Markovich Khidekel, a famous avant-garde artist, a student of Marc Chagall and a member of the Vitebsk group of artists led by Kazimir Malevich.

As a student I devoted much time to fine arts. I was a traditionalist and loved the past, paying much attention to classical architectural details. Professor Khidekel, who was noted for realizing the abstract and avant-garde Suprematist movement through architecture, tried to persuade me that nothing was impossible. Upon graduating from university I continued attending classes with Professor Alexander Pavlovich Zaytsev at the Leningrad Vera Mukhina Higher School of Art and Design. He introduced me to the school of analytical drawing. So I turned to the fine arts.
As a painter I kept participating in exhibitions of the Zaytsev School, had some shows at the Architect's House in St. Petersburg, and collaborated with galleries abroad including one in Kingston, Canada. The owner of that gallery bought a sequence of my works painted with acrylics. Today many of my works are in private collections in Japan, Canada and .

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