Seller Philippe Ernauld
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
1125 px | ||
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1500 px |
Dimensions of the file (px) | 1125x1500 |
Use worldwide | Yes |
Use on multi- | Yes |
Use on any type of media | Yes |
Right of reselling | No |
Max number of prints | 0 (Zero) |
Products intended for sale | No |
immediately upon purchase
This image is available for with a licence: you can them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please us for a custom licence. Art image bank
- Pastel on Paper
- Dimensions Height 23.6in, Width 19.7in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed (Frame + Under Glass)
- Categories Architecture
Pastelliste et aquarelliste autodidacte
Pourquoi ces deux techniques : seulement des pigments, demande peu de place, et pas d'odeur...
Idéal en apartement
La crise du Covid a relancé l'évasion par le dessin...mais encore beaucoup de travail devant moi afin de maîtriser les aléas de ces pigments colorés
Dessiner pour encore progresser
À l'intérieur à partir de photos, à l'extérieur lors des concours organisés par l'association "Couleurs de Bretagne"
Je me permet une citation d'un lointain compagnon des beaux-arts , poète malgache
Mon stylo vient de tomber
La tête la première
La bille est touchée
Et tout son univers est à l’envers.
Alors, ses compléments d’objet
Deviennent complètement indirects
Leurs interversions sont horssujet
Et tout demeure, pour de bon, incorrect !
Hier encore, les lignes que je lui ai priées de faire
Étaient d’une tournure enthousiasmante et exquise
Tes réponses répondaient même à ses airs florifères
Mais la bille est touchée, il a perdu la boule, ma marquise
De Moïse Raphaël DJAOMASINA poète
RUE DU CHÂTEAU
- Nationality:
- Date of birth : 1969
- Artistic domains:
- Groups: Contemporary French Artists
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