Giant Reticientia - Moutain, Ocean (2023) Painting by Qinglu Liu (Lukas)
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
| 1325 px | ||
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1331 px |
| Dimensions of the file (px) | 1325x1331 |
| Use worldwide | Yes |
| Use on multi- | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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- Oil on Canvas
- Dimensions 189.8x252.8 in
Dimensions of the work alone, without framing: Height 189in, Width 252in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed
- Categories Paintings from $20,000
My work is deeply rooted in the exploration of identity, culture, and the intersection of the natural and the digital. My artistic journey began in my early years, influenced by a fascination with both traditional and modern forms of expression. Growing up in China and living in Dubai for 10 years, I was drawn to the contrasts between Eastern philosophies and Western ideologies, which became a central theme in my work.
My style is often characterized by surreal and symbolic imagery, blending elements of pop culture, science fiction, and Eastern iconography. The recurring figures in my work—such as the Penguin and the Astronaut Deer—serve as metaphors for the human condition, questioning our place in a rapidly changing world. These characters, while playful and whimsical, reflect deeper themes of isolation, exploration, and the search for meaning in an increasingly complex society.
Over the years, I’ve honed a unique visual language that balances the abstract and the figurative, merging traditional techniques with contemporary digital media. My use of vibrant colors and dynamic compositions is intended to provoke thought and evoke emotional responses, inviting viewers to reflect on their own experiences and the broader global narrative.
At the heart of my practice is a desire to bridge cultural divides, creating works that speak to both local and global audiences. I am particularly interested in how art can transcend geographical boundaries, bringing people together through shared human experiences. Whether through painting, digital art, or mixed media, my work is a continuous conversation with both the past and the future, the tangible and the intangible.
Throughout my career, I have been constantly evolving, learning from each new project and each new encounter with my audience. My work is never static; it grows and shifts in response to the world around me, pushing the boundaries of my creativity while remaining anchored in my core beliefs and values. Ultimately, I see my art as a journey—a way to explore the ever-changing landscape of human existence, both personal and collective.
- Nationality: CHINA
- Date of birth : 1986
- Artistic domains:
- Groups: Chinese Contemporary Artists
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