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L'AMICALE DES TROMPES (2020) Painting by Rbio

Acrylic on Paper, 19.7x25.6 in
$474.59
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Seller Rbio
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Fine art paper, 8x11 in
One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 1 collections
  • Marker on Paper
  • Dimensions Height 19.7in, Width 25.6in
  • Framing This artwork is not framed
  • Categories Science fiction
Eléphants d'Europe, d'Asie et d'Afrique en colère. Les éléphants ont bon dos et ils manifestent. contre le Projet Piketty car depuis l'instauration. de la loi de la jungle et la non redistribution des noix de cocos. ils voient de plus en plus de fortes trompes chargés de hordes. dans plusieurs régions du monde. Vive les pachydermes, à bas les dauphins!!). [...]
Eléphants d'Europe, d'Asie et d'Afrique en colère.
Les éléphants ont bon dos et ils manifestent
contre le Projet Piketty car depuis l'instauration
de la loi de la jungle et la non redistribution des noix de cocos
ils voient de plus en plus de fortes trompes chargés de hordes
dans plusieurs régions du monde. Vive les pachydermes, à bas les dauphins !!)

Angry elephants from Europe, Asia and Africa.
Elephants have good backs and they protest
against the Piketty Project because since the establishment
the law of the jungle and the non-redistribution of coconuts
they see more and more strong trunks loaded with hordes
in several regions of the world. Long live the pachyderms, down with the dolphins!!)

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Noix De Coco

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Rbio, painter and photographer, embarks on an artistic journey where patience, additions, and wonder guide him. In this quest, he explores the territories where all the impressionists have preceded, seeking to [...]

Rbio, painter and photographer, embarks on an artistic journey where patience, additions, and wonder guide him. In this quest, he explores the territories where all the impressionists have preceded, seeking to dissolve the absolute in everything and nothing, to capture color within lived tonality, to reveal the unspeakable in everyday life, and to finding rarity in greatness.

His art is nourished by the absorption of nuance by the fragment, the reconstitution of the whole by shattering and dispersion. He approaches the unity of perception by exploring the tingling of sensations, while moving forward in time, similar to the pattern of sounds on a pianist's melodic line.

With every step, Rbio adds a glimmer of hope, more hues to every color, and more green to every rustle of leaf, branch, and tree. It inscribes so many clarity and constraints in the palette of nature and living things. Its artistic skin and adornment are constantly reinvented to keep pace with the renewal of perceptions, even if they are subject to the taint of the pangs of mediocrity.

Rbio tirelessly attempts to master the pure matter, dissolution, and perpetual fission of each element of his artistic work. He seeks to maintain the fusion of interlacing and exalted hues. However, by dint of careful retouching of every detail, he risks confusing his inescapable need for an artistic dream with reworked fictional realities.

Throughout his artistic exploration, Rbio penetrates deeper into the world of the tiny, where each fractal smiles and takes on its personality. Little by little he manages to perceive the path which guides him towards the barbaric and dazzling transcription of all percepts. In this process, he discovers the tangled hues of the undergrowth which suddenly emerge after the relative darkness of the high forests.

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