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Entre o Afeto II, 2025 - Ritchelly Oliveira (Figurative) (2025) Painting by Ritchelly Oliveira
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Charcoal and Acrylic on Canvas – 100 x 80 cm (39.3 x 31.5 in)
“Entre o Afeto II” by Ritchelly Oliveira is a commanding and deeply emotive figurative composition, created in 2025 using charcoal and acrylic on canvas. Measuring 100 x 80 cm, this original artwork presents a poised Black woman encircled by three Doberman dogs, guardians whose alert yet calm presence suggests loyalty, protection, and unspoken trust. It is a continuation of Oliveira’s acclaimed “Entre o Afeto” series, exploring the psychological and symbolic intersection between humans and animals.
What makes this piece unique is its visual balance between vulnerability and strength.
The woman’s gaze is serene yet unwavering, while each dog is rendered with lifelike detail, positioned as sentinels to her presence. Oliveira’s mastery of charcoal allows for exquisite shading and texture, highlighting skin, fur, and fabric with sculptural intensity.
The use of acrylic enhances the overall contrast and depth, ensuring a luminous, high-impact visual experience even in subtle grayscale.
The painting is in pristine condition. It is signed by the artist and accompanied by a certificate of authenticity.
Collectors will appreciate the technical precision, the intimate emotional narrative, and the artist’s growing recognition for portraits that foreground Black identity, care, and relational dynamics. “Entre o Afeto II” is a powerful acquisition for collectors who value contemporary figurative works rich in symbolism and refined execution.
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Ritchelly Oliveira, born in 1993 in Brazil, is a visual artist who studied visual arts at the Federal University of Goiás (UFG). He began his professional journey in the plastic arts in 2012 and has since developed a distinctive approach to exploring the human figure. Oliveira’s work delves into what he perceives as the deepest aspects of affective relationships, particularly the concept of love. He views love as a universal feeling, yet one that remains deeply individual and personal, often tied to emotional wounds that may never fully heal. His art speaks to the courage required to navigate emotional experiences and the complexities of human connection.
Over the years, Ritchelly Oliveira has gained recognition in the art world, with his works exhibited in both Brazil and the United States, and featured in various international magazines. He believes that portraits act as fingerprints in our minds, allowing us to explore the connections between love, family, and daily experiences. For Oliveira, the portrait serves as a way to both honor presence and address absence, helping to bridge the gap between the living and the departed. His process also allows viewers to identify with the emotions conveyed through these intimate depictions.
Some of his portraits are intentionally unfinished, reflecting the idea that, much like human beings, we are constantly evolving and carrying unanswered questions and unfulfilled desires. These gaps in his work invite new interpretations and meanings, embracing the potential of the unfinished. Although Oliveira’s work now primarily aligns with realism, he stresses that this style emerged organically and without pretense, becoming a natural part of his artistic expression.
- Nationality: PORTUGAL
- Date of birth : 1993
- Artistic domains: Represented by a Gallery,
- Groups: Artists presented by a gallery
Artmajeur Magazine No. 32 
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